About Us

Vegas
Imageis an Editor at Preppermint and the brand new mother of a brand new baby Drew.  Vegas started off as a stand-up comic in New York City, wowing crowds and performing on HBO.  Sick of standing, she took a swing at sitting in front of a radio mic and began instantly blowing up ratings.  In her last gig, she more than doubled the ratings - from a 9.5 to a 21.0 Males 25-49 in her first book! She is also on the verge of achieving her dream of becoming a Roller Derby Girl.
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Amber Miller
Imageis Senior Editor and Renegade of Funk at Preppermint.  Amber got started off in radio as most do, driving around a van and slinging T-shirts.  After locking herself out of said van, she was tagged as management material and promoted to Morning Show Producer in Detroit.  From there it was just short steps to Traffic Chick and then Morning Show Chick.  She has also been Midday Girl and Night Girl.  She can work and work it at any time of day. She currently writes, edits and submits material for Preppermint and works at G-105 in Raleigh to keep her mad skills fresh.
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Broadcasting on the Backs of Your Listeners Print E-mail
Written by Chris Boylan   
Wednesday, 07 February 2007
Article Index
Broadcasting on the Backs of Your Listeners
Peer to Peer to the Rescue
This week all of us here at The Net Untangled will be looking at internet streaming for radio stations. Over the past few weeks, I've written about how it is time to get into the streaming game if you're station hasn't already. With wireless internet becoming more ubiquitous and soon available to pipe internet audio streams through car speakers, online competition will soon be making serious inroads into normally terrestrial radio turf.

So why shouldn't radio take the battle to their turf? Radio is already doing the heavy lifting of content production, why not make it available online?

Michael King, President of Abacast - an online audio streaming provider - agrees. When radio stations recently began resuming streaming on the internet, "Internet-only radio stations began complaining of a loss of listeners to terrestrial stations online." Radio already has the name recognition, promotions and content in place - radio is already many steps ahead of the game - it only has to start getting online.

The main difference between streaming online and traditional broadcast radio is the business model - in regards to listeners. For the last almost 100 years, the costs of broadcasting have been largely fixed. Sure, they've increased along with inflation - but the cost of broadcasting a signal does not change depending on how many listeners tune in. So the profit model is pretty simple. Get as many listeners as you can, and each additional listener increases profit and not cost.

With internet streaming, the cost of broadcasting is bandwidth. When each additional listener signs on, broadcasters have to pay for the bandwidth for the audio stream to reach them. As a result, now online stations pay more when they have more listeners. If the revenue generated per listener is less than the cost of bandwidth per listener, a station will never get above water, no matter how many listeners they draw. This was the problem that all of those dot com bust companies faced a few years back. If you're losing money on every customer, that's not a problem that volume can fix.

As time marches on, bandwidth costs become lower. All technology tends to become cheaper over time as new methods are developed. As bandwidth gets cheaper, the business model makes more sense, because you're still making more money when you add a listener. (All of this is, of course, not taking into account of the advantage that radio has, in that it doesn't cost them any more to produce content online since it's already paying for it to broadcast over the air.) However, these changes are slow and evolutionary.


 
 
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